Poems are considered for one issue only. We write to contributors as soon as a decision is made. As Magma receives a very large number of poems, we cannot consider more than four poems per poet per issue which must be sent in a single document.
Poems published in the magazine may also be published on this website and as a PDF version for Exact Editions. Poems remain the copyright of their author. Contributors receive a copy of the issue in which they appear and and can purchase further copies at a discount. They may also be invited to read at the issue’s launch reading.
Magma 71 — Film
The submissions window for ‘Film’ is open from October 1st 2017 until January 31st 2018.We welcome poems that have not been previously published, either in print or online.
Whether it’s a film you always go back to, a director you follow, a cinema that holds a particular story for you, or a poem that simply reads like a short film, Magma 71 is set out to celebrate the poetry of cinema.
Take us with you to the movies. Send us your takes on Neorealism and Nouvelle Vague, Hollywood Golden Age or the cinema of today. Or perhaps you’d like to create your own film script, presented to us in the form of a poem. Send us your films noirs, your indies and your blockbusters. In short, make us believe in films that don’t exist and send us to watch the films that do. Show us the ways poetry and film are connected and explore with us whether it is even possible for contemporary poets to write without the cinema screen at the back of their mind.
We are also calling for submissions of film-poems. We are particularly interested in collaborative work between poets and filmmakers. The poems, as always, should not have been previously published, either in print or online. The chosen film-poems will be screened at Magma events, showcased on the Magma website, and the poem texts published in the magazine. We are interested in collaborations that challenge and converse with each other’s form rather than simply echo it. In other words, if there’s a moon in the poem, we probably don’t need to see it represented as a moon in the film.
Look out for regular updates during the reading/viewing period on the Magma website where we’ll be posting examples of recent film poems we’ve loved and discussing the boundaries between film poems and music video clips, from Beyoncé’s 2016 visual album Lemonade all the way back to Bob Dylan’s 1965 Subterranean Homesick Blues.
You are welcome to submit—
Up to 4 poems
Up to 2 film-poems (No longer than 2.5 minutes each)
If you submit film-poems, you must include a submission of the poem texts as well.
Please make sure your cover letters are short— no more than three / four sentences. What matters most is your poetry.
We look forward to going to the cinema with you!
Cheryl Moskowitz and Stav Poleg, Editors, Magma 71